UGC recognized list of journal on Dated 02-5-2018: Research Journal of Humanities and Social Sciences (RJHSS) ( Sr. No. 10598 ); International Journal of Reviews and Research in Social Sciences ( Sr. No. 10605) (04-May-2018)        |

Volume No. :   4

Issue No. :  4

Year :  2013

ISSN Print :  2321-5828

ISSN Online :  0975-6795


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(Historical Pathway of Iranian painting) (Methods and era, features)



Address:   Mehrdad Ahmad Amiraghaie
Department of Iranian Studies, Yerevan State University, Yerevan, Armenia.
Member of the scientific Research Archaeology cultural Heritage, Handicraft and tourism Organization of Iran.
*Corresponding Author:
DOI No:

ABSTRACT:
Iranian painting that started its formation from of prehistorically, millenniums, continued its formation manner in historical era and Iranian Islamic era, because of having special characteristics, it can be divided in to two main branches. • West branch with mutual relation with BYZANCE art.(East Roman Empire) • East branch prevailed in Iranian east lands. Iranian painting can be in three eras but separated till end of GAGAARIEH dynasty. 1-The first centuries till Christian 13th century (Hegira 7th) 2- End of Christian 13th century (Hegira 7th) till end of17th century. 3-End of Christian 17th century (Hegira 11th) till Christian 19th century (Hegira 13th) The Iranian picture arts have special features to other western, for east and Indian picture arts. Those features that each of them need to study and separate survey, including A- Cognitive feature B- Attributive feature C- Structure feature D- Performance feature E- Technical feature F- Symbolism (Esoteric) "Farrah. Light angel. Mandala"
KEYWORDS:
Iranian painting, feature, main branches, Cognitive, Attributive, structure, performance, Technical, symbolism (Esoteric).
Cite:
Mehrdad Ahmad Amiraghaie. (Historical Pathway of Iranian painting) (Methods and era, features). Research J. Humanities and Social Sciences. 4(4): October-December, 2013, 435- 442
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